A campaign against the closure of a historic fire museum has been ramped up.

More than 3500 people have signed a petition against proposals to close the former fire station at Lauriston Place in Edinburgh.

The museum displays a collection of vintage fire engines and firefighting equipment from 1426 to the present day but bosses want to sell it off as part of wider rationalisation plans in the single fire service.

Campaigner Vicky White told STV News she would be “heartbroken” if the museum was to close.

She said: “The significant thing about the museum is its location, because it’s within the central tourist mile of Edinburgh’s tourist footfall.

"I think with the national museum getting a million visitors a year, this museum could cash in on that and become a very, very popular visitor attraction.”

Volunteer George Gray said: “The Friends of the Museum are trying to show the government that lots and lots of people think that this is a unique building.”

He said the history of the building, which was built in 1900 and is the only Victorian fire station remaining in the UK, needed to be retained.

Assistant chief officer Lewis Ramsay, chairman of the SFRS heritage committee, said the service was “committed” to the Museum of Fire.

He said: “We are working closely with Scottish Government and Edinburgh City Council to secure a new and prominent location that will enhance the museum’s legacy, and provide visitors with an engaging and enjoyable insight to our fire heritage.

“The SFRS appreciates the work and dedication of our museum volunteers and we would welcome their involvement as we work towards identifying and developing the future home of the museum.”

A Scottish Government spokeswoman said: “The future of the Lauriston Place building and Museum of Fire is a decision for the Board of the SFRS.

“We recognise the importance of this historical collection, which highlights the valuable role this country has played, and continues to play, in protecting people from fire and other emergencies.

"SFRS is committed to finding a new home for the collection in Edinburgh, which ensures potentially enhanced access by the public and a chance for the collection to grow and develop.”